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Friday, 3 April 2020
Isis embraces Ramses III.
Isis embraces Ramses III
Cemetery of Prince Amun Harr Khubsh F 55, Valley of the Queens, Modern State, Family 20
1189/1077 BC
Hey, peace, the emotional partnership between a man and a woman who doesn’t keep you in the valley and your wife or your wife in the valley of a second shared love, what is the most beautiful of ancestral civilization.
Cemetery of Prince Amun Harr Khubsh F 55, Valley of the Queens, Modern State, Family 20
1189/1077 BC
Hey, peace, the emotional partnership between a man and a woman who doesn’t keep you in the valley and your wife or your wife in the valley of a second shared love, what is the most beautiful of ancestral civilization.
It was called the Lady of Heaven.
A limestone statue of the Nitra (graced or cared for Tawi) - From Madame, Ptolemaic period, displayed at the Louvre Museum
It was called the Lady of Heaven, which is the feminine version of the Lord of the Sun (Ra).
Her name is the feminine form of the name Ra, while the longest name is “Ra’at Tawi,” meaning (the goddess of the two lands), meaning Upper and Lower Egypt.
Interaet “Raaat” appears for the first time during the era of the Fifth Dynasty. It is likely that “Rayaat” was accompanying “Ra” since its beginning and had no separate origin from it, and although it was called the Lady of Heaven and the Lord of the Two Lands, it did not reach the importance of Hathor Who was also considered a wife of the god Ra (or in other accounts his daughter)
Nitra was also considered "shepherded" also as the wife of Winter "Minto", the Lord of War, and formed a trinity with him along with their son Harb
Her feast day was in the fourth month of the harvest (Shumo-Summer) and her worship centers were in Madamud, Todd, and Taiba ... and I found hymns for her on fragments written in demotic from the Roman period.
A state of happiness with the heavenly .
Eternal love, dedicated support, transcendent purity, and many feelings send sculptures and murals that embody loved ones or couples in ancient Egypt. A state of happiness with the heavenly company of loved ones, which depicts the body language of sculptures and gives us an impression of eternal calm.
Today, I will show you a mural where you can at first glance find all the words that I presented to you at the first time, and at a second glance you will make sure that you match exactly the words on the mural.
But let me tell you a need before displaying the mural. Because of my long sleep, I stayed as a spectator, watching the people at the airport, between farewell and separation, and between meeting and longing. The man arrived with his suitcase and the troubles of his journey, and I am not longing for her and joy over the arrival of her lover. After the struggle days, Nett returns to her life.
Boss, my friend, on the attached mural. You see the goddess Satay, how embraced the Lord Khnum. The contemplative of the eternal scene of the temple of Satet on Elephantine Island, who embraces her husband, "Khnum", looking at his eyes with a flood of feelings. He does not find (i.e. the contemplative) words that express the meanings that the view carries, and no letters that accommodate the tenderness and containment of the hands of Khnum, only the stone Build bridges of imagination and sense ...
Let me start the story from the first ..
There at the first waterfall of the Nile near the island of Elephantine, Khnum from Puntland will arrive abroad to return to the land of Egypt the overflow river, and after his long and arduous journey, the goddess stood Sat, waiting for the arrival of her lover. In fact, hours before Khnum arrived, and at dusk, and before the birth of the sun, the star spotted (now the Ceres Star) had announced to Satan the news that Khnum had arrived by the river from his travels. He meets the two lovers. Khnum sat what you see in the mural. After the meeting and the joy of arriving, Khnum enters the temple, resting after what he came back from traveling, because he saw him working again, which is the creation of humans from clay. From here, you take the river and pour it into the artery of Egypt, the land overflows with water and announces the first day in the months of the Egyptian agricultural year.
"Sat-ji" means that which is poured, or the goddess Sat, who sends in the Egyptian land the water of renewal and creation with its endless possibilities. The people of ancient Egypt loved her and wished that she would be present the day they died pouring clean water on them and washing their sorrows with the separation of their loved ones. So they called her friend and called her full of grace .............
Daylighting Information:
"Inuket" is the daughter of Sat and Khnum, whose mission is to send water to the canals. Because she sat when she took the river and poured it in Egypt, the daughter Anuket will remain her mission to deliver water to all branches and channels of Egypt.
My friend, love your country and wash away the dust of travel before you, so that you can build it. Do not forget to give me a sweet word or an addition in a comment if you received information from me or even inspiration.
The painting of Mount Borkel and the Eternal Glory of Thutmose III.
Over the past two weeks, I presented a set of articles and thoughts on the immortal King of Egypt and the conqueror of the ancient world, Thutmose III, the true founder of the Egyptian Empire in the ancient Near East .. Perhaps the best conclusion in my talk about the immortal King of Egypt is this unique painting that was built by the genius of politics and war, Thutmose III, who knew With the triumph of Thutmose III or the Mount Borkal border plate .. This granite border painting is one of the most important historical sources about the wars and campaigns of Thutmose III in Syria, Canaan and Nubia in addition to its famous annals in the Karnak Temple .. This painting was standing In the Temple of Amun in Mount Albarqal in Upper Nubia in northern Sudan, near the southern borders of the Egyptian Empire during the reign of Thutmose III .. The texts of the painting, which amounted to fifty lines in the hieroglyphic, included a wise description of the victories of King Thutmose III in his war campaigns against Syria and Canaan, which included the Battle of Megiddo, And his wars against the Mitanni (two rivers), with a special mention of his painting of his victories on the banks of the Euphrates in North Syria after his victory over the Mitannians, in addition to his talk about hunting elephants in Syria, and his royal engagement to the Nubians, residents of the south, etc. This .. B. Say the borders in the forty-seventh year of the Pharaoh’s era, in order to define the southern borders of his vast empire that extends from the top of the Euphrates in the north to Mount Burqul in Nuba in the south near the Fourth Jandal .. It was found in 1920 AD by the Harvard University Museum of Fine Arts Museum in Mount Burqul In Sudan, she is currently in the Boston Museum of Fine Arts .
The crown of Lower Egypt.
The red crown in ancient
Egypt "Dšrt" is the name of
the crown of Lower Egypt, and it was red in color representing the red lands on both sides of the fertile green Delta in the Nile Valley. When they meet with the white crown, which is the crown of Upper Egypt, they form the double crown of Bishnat, who represents the united Egyptian kingdom, which alone pharaoh Narmer around 3100 BC.
The red crown was also used in hieroglyphs, since it represents the letter "n". The letter noon was previously represented by the wave of water. In hieroglyphs, then the symbols are used to write the letter noon. Either horizontally, the "n" was written with a wave of water, or in the vertical writing, the symbol of the red crown was written as representing the noon.
Priest ny ef. 23era.
The third transition era
Twenty-second family
After the collapse of the twenty-first family, Egypt entered a new stage in its history
It spanned from the second half of the tenth century B.C. Until the end of the pharaonic history, it is called
On this stage the name "late ages" is due to its occurrence at the end of history
Pharaohs mainly in terms of time and in terms of civilization implicitly.
This era begins with the twenty-second family, and its rulers were of Libyan origin
A trainer, this refers to the names of her two ancestors, as well as the names of her kings from
The likes of Shisheng, Auser-kun, and others. Therefore, they were not strangers to Egypt, and they did not
They conquered the country by force, but were from mixed tribes of the ancient people of Western Sahara
And among the categories of sea people who landed on the coast of Libya since the late thirteenth century BC.
They were unable to enter Egypt by force, so they resorted to peaceful means, so they entered Egypt
As shepherds, merchants, or mercenaries in the army, their tribes have settled since the late Ramses era
The third is on Egypt's agricultural edges and around the forts scattered on the western border, then
They soon insisted and worshiped the Egyptian gods, and groups of them entered the garrisons
Egyptian where some agricultural land was given to them as salaries for them
Serve them with the army.
And their superiors carried the title that brought together the Egyptian and the Libyan descent, and that
Like the title "or - m", it combines the Egyptian word "or" with a great meaning, and between
The word "Miss" is the Libyan word for "king". They also bore the nickname "Ma's Big Head".
This is an abbreviation of the title "chief of disgraced chief" and the Egyptians also did not forget their origin
Foreigners easily, so keep them in the name of disorganized and the name of the Libyans, where most of them are concentrated
Their group is near Fayoum and in the name of foreigners, without it
And their reign lasted for more than two centuries in which they forgot their completely alien origins, and did not
They only mention themselves as Egyptian pharaohs, and they fought in the name of Egypt outside
Its borders, and they tried their best to restore some of Egypt's prestige and reputation abroad
And the capital of Egypt in the era of this family in the north was "Amatanes" or "Bubasta" and it was
The high priests of Thebes exercised undisputed religious authority, and at the end of its reign it was dispersed
The unity of the country due to the competition of the Libyan princes for rule, and it ended up being claimed
The king has three houses, two houses in the east of the delta, and a third house in the west, and so on
For a number of feudal princes in Central Egypt and Upper Egypt
And the first king of this family was King Shishenq the First.
ancient Egyptian coffin.
Take a virtual walk into an ancient Egyptian coffin in this exhibition from the British Museum.
One of the few ancient cultures that continue to fascinate people is that of the Egyptians. Recognising this interest, the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai, has partnered with the British Museum to showcase a rare exhibition “Mummy: The Inside Story”. It is the first time that this travelling exhibition has come to India, for which Sabyasachi Mukherjee, Director General, CSMVS, thanks the British Museum, British Petroleum (BP) and Reliance Foundation for their support. “During my visit to the British Museum in 2003, I ended up spending maximum time in the Egyptian section. The artefacts and mummies displayed there intrigued me due to their similarities with the Harappan culture. Thus when we got the opportunity to showcase the wonders of Egyptian civilisation at the CSMVS, it was a delight beyond description,” says Mukherjee.
The exhibition throws up rare surprises given the multitude of artefacts displayed. The most interesting of all is the 3-D immersive experience in the coffin of Nesperennub, a priest who died in Egypt 3,000 years ago. This centres on Nesperennub’s mummy, its case and an array of funerary objects and figurines. With non-invasive techniques of X-rays, CT-scans and advanced computer technology, it takes viewers through a “virtual unwrap” combined with dramatic reconstructions of the priest’s life and mummification in ancient Egypt.
“A whole array of instruments, equipments and special effects has gone into this unique experience. I’m proud to say that CSMVS has been able to equip itself with a climate-control environment to sustain the exhibits. We are keen that the maximum number of people — especially students — savour this experience,” says Mukherjee who reveals that, to achieve this aim, the museum is rolling out an extensive programme reaching out to more than 300 schools and colleges in and around Mumbai. Many of these enrichment workshops, demonstrations and activities are free for school children. “An introductory workshop about the importance of hieroglyphs; demonstrations to explain ancient Egyptian medical practices and modern techniques of preservation; storytelling sessions on myths and legends from ancient Egypt; activity .
The birth of Ra.
Before the birth of Ra or the sun on the eastern horizon, the god Ra will be in his compartment, which protects him as a transcendent and hidden sight. A similar need can be likened to a somewhat consistent analogy with a child in a membrane inside his mother's womb. The mother here is Nout. Knott was showing her children on their night trip the body of Lazord. And because of this, when you watch the art piece, you will find Ra in the form of the Lord Khnum (Khnum which makes man from silt), and the color is blue, the color of lapis lazuli and around it a sheath or a film of gold.
On the right, you will find Maat Sa Ra, or Maat’s son Ra, afraid for Ra because they are on the horizon, and this is a place full of fog, in which the lords are sensitive and anxious about any disorder. To the left of the piece, you will find Hathor, the queen of splendor and beauty. And the bearer of the god Ra was on her head in the top of the sky (according to the dead of the Egyptian heavenly cow).
Boss of shine and boss of Hathor, you will meet them, and they give some anxious looks.
Today's information:
The mace that Hathor has grabbed is a frog. And he has the symbol of the goddess inflicted. The goddess was right in the texts of the pyramids and the Osirian ritual, she was the one who performed the soul Horus while he was born. It is on the horizon that supervises the giving of the newborn Ra’s soul, so that he will have only Horus on the horizon.
From inside the Transcendent Lotus with nine petals, Ra will emerge, protected by the Royal Cobra.
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