I.am golden king Tutankhamun.

 

Statue of Queen Tiye The grandmother of Tutankhamun, Tiye was embalmed with her left arm bent across her chest—interpreted as a queen’s burial pose. Her statue from the temple at Karnak displays a similarly bent left arm. Now in the Egyptian Museum, Cairo.

 

KING TUTANKHAMUN.

 

The so-called paddle doll consists of a flat piece of wood depicting the torso, rudimentary arms and neck of a woman, with a thick shock of "hair" made of beads strung on linen thread. The body is often painted with jewelry, textile patterns and/or tattoos. Contrary to their modern name, these "dolls" were not toys. Egypt, Upper Egypt, Thebes, Asasif, Tomb MMA Wood, mud, linen string, paint

 

Gold Cuff Bracelet of Prince Nemareth.

 The inner side of the smaller segment of this bracelet is inscribed for a man with the Libyan name of Nimlot (also rendered as Nemareth or the like). The external decoration of the bracelet consists of geometric decoration and a figure of a child god.

The god is represented in a typical ancient Egyptian manner for a male child: nude, wearing a long sidelock of hair and with a finger to the mouth. That this is not a mere human child, however, is indicated by his crook-shaped sceptre of rule, the uraeus on his forehead, and his headdress, which is a lunar crescent and disk. The deity depicted on these bracelets is most probably Harpocrates. Two uraei guard the lunar symbols.

Presumably, they represent the protective goddesses of Upper and Lower Egypt, which the Egyptians often equated with the ordered universe. And the blue lotus, on several of which the deity squats, is a symbol of creation from the primordial ocean, from which the sun first rose, and of birth and rebirth, presumably because that flower rises above the water when it opens each dawn. The bracelet was once inlaid with lapis lazuli.

Third Intermediate Period, 22nd Dynasty, reign of Shoshenq I, ca. 943-922 BC. Now in the British Museum.