Behind every Egyptian sculpture is a symbolic story.

The greatest pieces of art carved by a human being

Behind every Egyptian sculpture is a symbolic story. Today, she chose a carving for you more than exceptional.

Frankly, the kings of ancient Egypt competed in how to dedicate and admire the scholars of Egypt, carrying a torch they attended and the secret of their existence as the greatest human civilization. They used to offer sculptures and artworks in abundance to all the scholars of Egypt's temples/km. Each king or group of kings had their own proprietary workshops, those of which made sculptures to honour scholars. The one who pulls you in the sculptures of the day, which is really distinguished that it was the first time that a person other than the king appeared in the presence of a god from the Egyptian gods. Let me tell you a little

The artist King Amenhotep III and one of the greatest kings of Egypt dedicated to the royal writer and the first priest of Akhim and the advisor to the king, "Neb Mour Of", in fact, he gave him the sculptures to take their place in the temple and mark the memory of the world. Because this would appear in the sculpted Lord, Thoth appears in its form as Kababun, and who was the Lord of the temple of Akhmim. The baboon is a body guard. I mean that Thoth guarded the owner of the flag (Neb Mar Awtif). Thoth in Akhmim was nicknamed ("my thunderbird", "" "" "" "" "" "")))), or "Thoth", "the Lord of the Holy Word". This of course is the title mentioned on th sculpture.

The famouse Greenheads.

In front of us are three wonderful, beautifully crafted heads that their owners left and went to confuse us with their beauty and search for them

The first head is called (Head of Brooklyn), attributed to the museum's fame, and it is a priest of young age called (Auxerre), and we knew his name from the remains of the back pillar remaining behind his neck, in addition to having a wonderful statue completed in the Egyptian Museum wearing the priestly style in the Achaemenid style. Squatting is registered with his name and nickname and is a priest of the family era 26

 The second head is called (the head of Berlin) because the museum is famous for it and it is a priest of the age of completeness of manhood. Unfortunately, it is unknown because the head was found on its own and we did not find even the remains of a statue and the absence of inscriptions or head covering on a particular style that makes it very difficult to identify.

The report of the Egyptian Museum says when it was found that it dates back to the time of the family 26 to 30 and it is the right opinion indeed. If we return to these families we notice the spread of such statues of the same stone on a very large scale and that this family was the beginning of the awakening of Egyptian art again even with Ptolemaic occupation.

The third head is called (Boston Head), also attributed to the museum's fame. It is a priest with clear signs of greying stones found in the Sarabium of Saqqara. It was also dated to the late captivity and means for its similarity to the rest of the statues of that era.

The Nile River is the lifeblood.

A goose is a bird known for its courage

A goose is a bird known for its courage and that it is biting and because our professional companion holds the hand of his wings and holds the other hand his brain because he does not bite him

The view from offerings of offerings and sacrifices at Idot cemetery

SAKARRA CITY.

A ring of pure gold engraved with the cartridge of King Khufu.

A ring of pure gold engraved with the cartridge of King Khufu, the owner of the Great Pyramid and the second ruler of the Fourth Dynasty around 2580 BC.

But the ring does not belong to the reign of King (Khufu) and may have been made by the priests of the family 26 or 27 in the period between (664 - 404 BC) veneration of the great king

The cartridge also holds the priestly titles of the owner of the ring, the servant of the god, the judge, the priest of the consort called (Nefer Ib Ra).

Brooklyn Museum of Art. New York

The greatest pieces of art carved by a human being.

Today, in the "Symbolism of Egyptian Art", you want to imagine the genius, effort and dedication of carving a statue of eternity inhabiting the Egyptian god Amun. It introduces Tutankhamun (unfortunately, time is the work of his agent), and he is wearing the skin of the star-spotted tiger, which is a royal body that expresses youth and strength on the one hand and on the other hand it expresses the knowledge represented in astronomy. The power and knowledge met the king, and we would call it "On Death Of F", meaning his mother’s pillar or his mother’s back, his mother’s bond. It is the king's body as the son of Ra. The equation asserted him as if Amon tells us that Ibn Ra, the strong and wise young man, would present his mother with his back.

Queen Nefertari in the Valley of the Queens in Luxor

Cemetery of Queen Nefertari in the Valley of the Queens in Luxor .. Discovered in 1904. Queen Nefertari is beautiful beautiful and the most beautiful and the most charming and charming and attractive, and the grand royal wife, the most beautiful and most beloved in the heart of her husband, the star of the earth, the most famous pharaoh of Egypt, King Ramses II, who lived in the ninth family Ten in the era of the modern state. And her full name is "Nefertari Meret Mut." It means "Nefertari, the dear goddess of death." Its most famous name means "Nefertari", "Ahlan", or "their sweetness" in Egyptian colloquial .

The ideal in regulating human energies.

The cemetery of "Rakhmi-Re" ... and the ideal in regulating human energies.

Carpenters and furniture industry ..... from the cemetery "Rakhmy - Ra" and located in the western necropolis of Thebes.

Rakhmi-Re was a minister who served during the reign of King Tuthmosis the Third and then during the reign of King Amenhotep the Second (the eighteenth dynasty, the modern state), and he was the mayor of Thebes and supervised the property belonging to the Temple of Amen at Karnak... His tomb is one of The most beautiful tombs depicting many details of daily life in ancient Egypt.

The ancient Egyptians recorded every detail of their daily lives on the walls of the graves and left thousands of scenes rich in details that are historical documents ... Among the thousands of scenes left by the ancient Egyptians, there is not a single scene of a beggar reaching out to his hand and asking people to give charity to him for a living.

The ancient Egyptian civilization did not know to beg..... It did not know the personality of the "man of righteousness and charity" that gives charity to beggars, but it did know the personality of the "human energy organizer" that employs human energies and creates jobs for all people. In order for everyone to earn his food with dignity.

The employment of human energies was the basis on which the Egyptian civilization was based, and the role of the minister and the regional ruler was to create job opportunities. In return, every person gets his food and gains his strength with dignity.

Even the handicapped and the blind were finding jobs in ancient Egypt. The tomb inscriptions preserved more for us than a fleeing blind player, as the training of the blind was to play music. Dwarves also worked in various jobs and were respected by society

And the ancient Egyptian artist has depicted us on the walls of the cemetery "Rakhmy-Ra" of all activities of crafts and crafts that were present in ancient Egypt, from mining, carpentry, building, carving and making utensils ........ The highest in organizing human energies and creating a working society

And production that employs man’s energies and talents and preserves his dignity and prevents the phenomenon of begging, which is considered a curse and stigma in the brow of humanity.

Statue of Hatshepsut

She is an ancient Egyptian ruling queen, and she is the fifth in the chain of kings of the eighteenth family. Amon and her mother, Queen Ahmose, mixes Maniton in its arrangement and places it after Amenhotep the First in the middle of the Eighteenth Dynasty

laws of global balance A new king begins a new time.

When a new king ascended the throne of Egypt, the ancient Egyptians would start the account again, and they would mark the first day of the first month of the first year of the king's rule.

As if Egypt was born again with the beginning of the rule of each new king... As if what has passed years is not taken into account and no new cumulative count is built upon it.

It is difficult for a person of modern civilization to understand this way of "whistling the counter" and looking at time as if it were born again with every new king ascending the throne of Egypt.

This is because modern civilization looks at time as if it is going in a straight line, so astronomical calendars are based on adopting a land event (such as birth or migration) as the beginning of the calendar and then continuing the cumulative count to no end. This walk in a straight line contradicts the nature of the time that it is walking in

Circuits/courses.

Ancient civilizations understood time as cycles, beginning and ending. And when a period of time ends, a new cycle begins, and in this case, the traumatic enemy cannot be completed because the old cycle has been completed. Here, humanity must re-"reset the counter" and start calculating the time from the first day, from the first month of the new time cycle.

The accession of a new king to the throne of Egypt was an important event not only on

Politically, but it was a cosmic event because the king in ancient Egypt was the embodiment of "Hor" (Horus), which is one of the nitro (divine beings / cosmic powers) it played a role in the origins and development of the universe.

Horus was the tenth of the ninth (IX / Iono / Heliopolis) .....

Number ten in Pythagorean numerology was the most complete number and is the symbol of perfection. And, this number is related to Horus, because Horus is the one who came to complete the role played by the ninth in the creation of the universe.

Horus inherited the throne of his father Ozir, and he was the first to undertake the process of uniting the two lands (Sama-Tawi), and he also bore the title of "Hor-my sister", meaning Horus the horizons (or Horus, who travels in the horizons ... the western horizon and the eastern horizon).

Each of the kings of Egypt was the embodiment of Horus, and upon his ascension, to the throne of Egypt a new cosmic cycle begins with him because the king's role in Egypt was not political in the first place, but his role was to repeat the events of the first generation and the repetition of Horus Al-Azly The unification of the two lands and migration between the western and eastern horizons, which guarantees the continuation of the objection (the cosmic system) and the fact that the universe does not fall into the abyss of chaos and darkness.

That view of time as cycles was the view of all ancient civilizations.

We find that the Mayan calendar also adopted the system of cycles, which ends in time at the end of each cycle and start counting again. Therefore, we find that the famous Mayan calendar stopped counting on December 21, 2012.

The Mayan civilization offers three types of calendars, the longest of which is what is known as the long-term calendar, which has a duration of 5126 years, as this calendar began in 3114 BC and ends in 2012 (specifically on December 21, 2012). This calendar divides those 5126 years into 394 periods of recognition Each period in the name "Pacton" consists of about 13 years (which is a sacred number for the Maya), and the last Pacton ends in the Mayan calendar on December 21, 2012, and there is no indication of another session that is completed after this date as if the time will stop suddenly on this day.

People who think that this is a sign of the end of the world make mistakes. Rather, the truth is that the grand session of the Mayan calendar will end and a new grand session will begin, and accordingly, the cumulative count cannot continue.

And according to the nature of the cycles of time, it is better for humanity to follow ancient civilizations and leave the method of cumulative counting ... and to proceed according to the laws of maat (laws of global balance) and start the accounting again with the beginning of the new cosmic cycles.

the prayer of the scribe Amennakht to the goddess Meret

A curved plate from its top, which belongs to the writer Amon Nakht, depicts him as he crouched on the ground, praying to raise both his hands to the goddess. In her other hand, the ankh is a symbol of life. Between Amun Nakht and the goddess, three tables of offerings passed through. Amun Nakht was blinded and said, “I see the darkness in the daytime.” As he pleads with her to see again, both eyes are symbolic.

Wonderful, old Egyptian, the frontal depiction of the face of an owl

Wonderful, old Egyptian, the frontal depiction of the face of an owl that shows the amazing details of the face of the owl in a way that is surprising. It is worth noting that the owl symbolizes in the ancient Egyptian language the letter M

Limestone - Late or Ptolemaic Period - The Metropolitan Museum

Carved plaque bearing the face of an owl hieroglyph

Period: Late period - Ptolemaic period

History: 400-30 BC.

Medium: limestone

Current location: The Metropolitan Museum

The coffin is an oval basket

The coffin is an oval basket with a rectangular lid containing the burial of a small child wrapped in linen and tied with palm robes.

The ancient era - from Tarkhan near Kafr Ammar - the Egyptian Museum in Cairo

in the scene of the balance of the deceased's heart of death.

A rare and unconventional depiction of the idol Ra of the wooden coffin of the death bed, which is in the scene of the balance of the deceased's heart of death. Justice and text before the idol Ra say:

Jeju Median Ra (recitation by idol Ra)

The sarcophagus of the death of a priest who played at the Temple of Amun-Ra at Karnak, Thebes, in the era of the Twenty-Second Dynasty - the third era of transition - preserved in the Museum of Semitic Studies at Harvard University in Cambridge

One of the most beautiful statues of the modern state

One of the most beautiful statues of the modern state in the Egyptian Museum in Cairo

The double statue of King Thutmose IV with his mother, Queen Tia, where King Thutmose IV appears while sitting his mother, Queen Tia, sits next to him on a long armrest and each wears a wig for hair and the royal connection for protection, both of which places his hand behind the back of the other signify the love and affection between the mother and her son King Tuthmosis IV And the king holds the ankh with his right hand

Eighteenth Dynasty - The Modern State

The Valley of the Kings, mainland Western in Luxor.

A magnificent view from Queen Tausert cemetery, which was reused by King Six Nakht and buried in it in the Valley of the Kings, mainland Western in Luxor (late nineteenth family - and the beginning of the twentieth family in the modern state)

A scene depicting the idol Ra Hor, my sister, in the form of a human being with the head of a falcon, his head rising from the sun disk, and wrapping around the sun disk. The other one puts it on the idol of Ra my sister Ra, and the text accompanying the idol Ra’s Hor my sister says:

Hatep de Nisu Ra Hur, my sister, Nebbit, really, Khattharto

Translation: An offering from the king's bid to Ra'a Hur, my sister, the master of heaven, and the ruler of all temples

- The text accompanying Maat:

Find a great Maat Sat Ra Ra planted Hanoot Nab Netro

Translation: Recitation by Maat, his son, Ra, the Lady of Heaven, the lady of all deities.

A small black steatite statue of a kneeling man .

Statue of Meryptah: a small black steatite statue of a kneeling man adoring the cartouche of Ramses II. The right-facing inscription in Middle Egyptian on the statue's back pillar identifies him as Meryptah. Meryptah's arms are raised in adoration of a cartouche. A figure of the goddess Maat ('Truth') writes m? 't; she wears her hieroglyphic emblem on her head and holds in her hand the hieroglyph 'wsr', which represents an animal-headed staff. As often, the cartouche rests on a sign for gold, and wears a royal headdress of plumes and sun-disk; it is flanked by two hieroglyphs for 'year' (now broken), evoking a long reign for the king.

the British Museum

Tuya was the wife of Yuya.

A small plaster mask gilded with some mummified bowels of Tuya and the other piece was the head of a lid of one of the Canopic vessels also of Alabaster, Tuya was the wife of Yuya, who gave birth to Queen T, wife of King Amenhotep the Third - the eighteenth dynasty of the modern state

The love of Saqqara .

A view from the Baathon cemetery or the love of Saqqara from the era of King Akhenaten - the eighteenth family. We see the wife of Baatun or the love sitting on the floor, and her husband sitting on a bench hugging her hand, her husband's feet, and her face wrapping back towards her husband as if he spoke at a simple glance but expresses the extent of Love and affection between husband and wife.

"Servant in the Place of Truth ".

The Tomb of Irunefer (TT290) is located in the Deir el-Medina Necropolis west of the Ptolemaic Temple of Hathor on the West Bank in Luxor (ancient Thebes). As with most of those buried in tombs in this area, Irunefer was a worker in the royal tombs, he was also a "Servant in the Place of Truth ". His parents are known to have been Siwazyt, a priest, and Tausret, his mother, and that he was married to a woman named Mehytkhati, who likely shared his grave. He lived during the XIX Dynasty of Egypt, which was a fairly prosperous time in ancient Egypt.

The Boat Pits on the Giza Plateau.

Up to today, seven boat pits have been located around the Great Pyramid. The pits are carved into the plateau's limestone rock. Five of them are boat-shaped but no boats were found inside them. The other two pits are rectangular and had a boat stored inside. These 2 pits were covered with huge limestone lintel blocks sealing them in, keeping them airtight. One of these pits is not yet excavated while from the other the disassembled parts have been dug up, reassembled and placed on display as the Pharaoh Khufu's funerary boat.

The 1,224 pieces of the ship had been laid in a logical, 

disassembled order in the pit beside the pyramid.

Khufu's ship is one of the oldest, largest and best-preserved vessels from antiquity. It measures 43.6 m (143 ft) long and 5.9 m (19.5 ft) wide. It was sealed into a pit in the Giza pyramid complex at the foot of the Great Pyramid around 2500 BC and apparently was part of the grave goods intended for use in the afterlife.

The ship was built with a flat bottom composed of several planks and frames made of Lebanese cedar, lashed together with Halvah grass. The boat is made from 1,224 pieces of wood.

This type of vessel is known as ''the solar barge'' and its function probably was to carry the resurrected king with the sun god Ra across the heavens.

Herakles (Hercules), hence the town’s Classical name

This precious gold statuette, found in the pavement of the temple of Ihnasya, is one of the few surviving monuments of that ruler. It represents the local god Harsaphes, a ram deity. The Greeks identified him with Herakles (Hercules), hence the town’s Classical name, Herakleopolis Magna. The god appears here in the form of a ram-headed man. As usual, the long wig masks what might otherwise be an awkward transition from the human body to the animal head. The ram’s long corkscrew horns support a tall crown with two ostrich plumes at the sides, known in Egyptian as the Atef, which could be worn by the king as well as various gods, notably Osiris and Harsaphes. Cast using the lost-wax process, the god’s body is svelte and elegant, simply clad in a short wraparound kilt. Chased into the underside of the base is a hieroglyphic inscription naming the ruler along with a prayer for “life and protection.” In the back of the head is a loop for suspension so that the statuette could be worn as an amulet.

Egyptian, Third Intermediate Period, Dynasty 23.

The Book of Caves.

The Book of Caves, also called the Book of Cemeteries and the Book of Caves, is an important ancient Egyptian funerary book on the underworld that appeared in the era of the modern state and like all other books of the underworld, it is engraved inside the tombs of kings for the benefit of the deceased in other life as he describes the journey of the sun god Ra through the caves states That the underworld consists of, with an emphasis on the interaction between the sun god and the inhabitants of the underworld, including rewards for the righteous and the penalties for enemies of the earthly system (the law), those who did not successfully prosecute them before Osiris in the afterlife and the tomb book is one of the best sources of information About the Egyptian concept S Diem from hell.

And the emergence of the book of tombs dates back to the 13th century BC, i.e. in the Ramesside era and the oldest known version of this work on the left side of the Osirians (godmother) in Abydos from the era of Pharaoh Merneptah and later appears in the tomb of Ramses IV in the Valley of the Kings and are the scenes that It was already recorded by the founding father of Egyptology Jean François Champollion in his letters from Egypt.

It is like the two great books on his underworld. The book of graves first and foremost describes the journey of the sun god (Ra) from the western horizon to the eastern horizon through the underworld, except that he meets a group of divine creatures and interact with them and the important milestones in his journey are:

The caves of the dead, arranged in the afterlife, are now divine creatures (the first and second paintings).

The cave of Osiris and the corpses of the sun god himself (painting 3).

Exit the underworld at sunrise (final plate).

During his journey, the sun god passes over the caves of Hell in which any enemies of public order are destroyed (i.e. the enemies of Ra and Osiris). This book of caves (the book of graves) gives some hints about the perceived topographical structure of the other world.

The book of caves (the book of graves) does not have any ancient original title, and it is not divided into the night hours as the underworld wrote except that from this, it contains seven wonderful paintings and scenes that approximate 80 different scenes and are divided into two parts with three panels each, as well To the final plate.

And the Book of Caves (Book of Cemeteries) is much more literary than other funerary books from the modern state, such as the Book of the Hereafter or the Book of Gates, as it does not contain pictures as much as other books, but it exceeds it in its content of the text.

T-Cemetery.

T-Cemetery

T-cemetery, one of the employees of the Fifth Egyptian Family, in the fourth century B.C. and they are the cemetery in the northern part of Saqqara al-Wusta, about 500 m or 1640 feet northwest of the Pyramid of Djoser in Giza Governorate.

The position

T was an employee and advanced in the era of the last kings of the Fifth Egyptian Family. He held the post of supervisor of the pyramids of Nefer Air Ka Ra and Nisir Ra, and the sun temples of Sahure, Nefer Air Ka Ra, Nefer Ra, and Nisir Ra. The Tomb, which is located in Saqqara, has become one of the most famous archaeological sites in Egypt, and its writings and inscriptions depict detailed scenes of daily life and funerary scenes.

Discovery

In 1865, Auguste Maret discovered the T-Cemetery, and the entrance to the tomb leads to a large courtyard with twelve square columns. An empty T coffin was found in the burial well, which is located in the middle of the outer courtyard. The remaining reliefs in the courtyard depict the tomb owner in the scenery of cultivation and other views of daily life.

On the south wall, there are three openings seen from a statue of what is found in the hidden room or the crypt. The spirit and the companions of the deceased can follow the funeral rituals that were taking place in the cemetery where you can contact the living world. A copy of this statue is now in the basement, while the original is in the Egyptian Museum.