The tomb of King Ramses III KV 11

Good effects of Luxor

Follow the most important tombs of the Valley of the Kings

The tomb of King Ramses III KV 11

The tomb of King Ramses III KV 11

Ramesses the Third took his father's abandoned cemetery and changed its direction so that it would not interfere in the tomb of Amun Miss, and he was buried here except that the priests transported his mummy that was found in the environment of the marine monastery, and there is currently a cover of his sarcophagus made of pink granite approximately ten feet long and about five feet wide In the Fitzolim Museum in Cambridge, it has a prominent image of the deceased king and on one side Isis and its drawing are completely destroyed and on the other side Nephthys, as well as this cover of good forms to cover the coffins in the era of the late empire. The places of the coffin are found in the Louvre Museum in Paris. The cemetery is often called "Bruce's cemetery" in relation to the Ethiopian travellers who first reopened it in 1769 and who made pictures of the two paintings representing the harpists. From these drawings, the second name of the cemetery is "the cemetery of those who play the harp". The workmanship in this cemetery is less good than in previous times, but it is nonetheless eye-catching and the colours are still retaining their lustre. The entrance is visible, which shows the good idea that the royal cemetery has remained with for some time after it became clear that the idea of ​​concealment was useless.

Description of the cemetery

The tomb can be accessed by a stairway with a slope in the middle to facilitate the lowering of the sarcophagus down. On both sides of the door, the flags are carved in the rock with bullheads, and on the doorstep are the three regular symbols of the sun god, the disc and inside it are news and Atom while you worship Isis to him, and despite the right and left of the entrance of the first pass the drawings of the goddess Maat while she kneeling spreading her wings for protection, and on the walls "Prayers" Ra. "And a view of the king in front of my sister's horoscope and another view of the sun as it passes between the two horizons. From this passage, we open to the left two small rooms and they are the first two rooms of a series of stones reaching ten, and in the left room are scenes that represent the cooking of foods that enter the royal cemetery. The gin procession Go through the Nile (or trip to Abydos) and see the boats in the upper row, spreading its sail while folded in the bottom row.

In the second corridor, the scenes conveyed about the "prayers of Ra" continue with the paintings of the Huns, Isis, and Nephthys, and the stones from the third to the tenth on both sides of the corridor contain a container of important importance. Rinnot "with the head of the serpent, and from the scenes of the rooms on the right, drawings of war flags, arrows and the flags of the four tribes, which were held since ancient times in front of the king on large occasions. As for the scenes of the rest of the rooms, we see drawings of the Nile gods and fields carrying holdings of fruits, flowers and birds, and a room with a letter M for the colours of each type, including some pots "with neck false" It is out of Messene (Greek) and Furniture from each class, such as family, seats, necklaces, and other Anaaid elephants. And a room with paintings representing sacred animals and symbols also to the guardian spirit of the king who carries a magic wand guided by the king's head, and a room showing the channels in the underworld and above it the king's boat swims in the fields of Paradise where the ploughing, sowing and harvesting works are performed, and the last room on the left we see the famous scene which represents performers The harp, which was given to the cemetery one of the names by which it was known as we mentioned before, and notes that the player on the left (who is more preserved in his form) plays in front of Anhur and Hur my sister, but the one on the right is performing in front of Atom Shaw. It is noticed that the passage ends at this part in which six Nakht found that it was carried out to the tomb of Amun, touching what led to the abandonment of his tomb, born Ramses III, a change that was directed to the right in a right angle on the axis of the cemetery, adding to the corridor a rectangular space that referred him to an additional room and thus this made The work should continue parallel to its first planning, but at a sufficient distance away from the oldest cemetery so that any other risk in the original corridor can be avoided by views of Isis and Anubis on the left and Nephthys on the right as the king appears in front of Atum and Ptah, and in the skewed room, as well as, the skewed room of Ptah - Soccer Osiris, which is guarded by Isis B. Its misdemeanour and on the right wall where we are going in the original direction, there is a drawing of the king in front of Osiris and Anubis.

SOONStatue of Ramesses II .in BIG museum.

Statue of Ramesses II as a child with Horus. 13th Century BC. Reign of Ramesses II. The New Kingdom, 19th Dynasty, ca. 1279-1213 BC. Now in https://elhellwa2020.blogspot.comthe Egyptian Museum, Cairo.

Head of a Statue of Amenemhat III.

https://elhellwa2020.blogspot.com/

Head of a Statue of Amenemhat III Wearing the White Crown. Provenance unknown; acquired in Cairo, 1894. Twelfth Dynasty, reign of Amenemhat III (c. 1859–1813 BC

The Tomb of Ptah-Hotep and his son

The Tomb of Ptah-Hotep and his son Akhet-Hotep; Old Kingdom (Dyn.V M-L); Saqqara; West of Djoser Pyramid.

https://elhellwa2020.blogspot.com/

Musicians and dancers

Musicians and dancers used a pair of clappers for performances and rituals. This is made from hippo ivory, and it’s twin can be found in Cairo. The preservation is out standing. Ivory Clapper; New Kingdom; Abydos; Inv. No. 1977.109.19

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Osir sent and resurrected

Osir sent and resurrected

The idea of ​​resurrection and resurrection comes back in the Egyptian inheritance to the ancient Stone Age, ten thousand years before the age of cultivation, since the time when the ancestors practised wild seeds and observed nature and its creatures that reproduce and come to life after passing through several phases, and in the Stone Age, The hadith was related more to the idea of ​​resurrection than to agriculture and domesticated seeds.

Auzier has been associated with all aspects of the renewal and recurrence of life, since its inception as a living being that is not crazy and also non-vegetarian until it is unified with intentions and water and has become a symbol of resurrection and resurrection.

In Upper Egypt, it represented his epic in a theatrical celebration, and two girls performed the roles of Isis and Nephthys, and theatre battles took place and there was makeup expressing blood, body parts, and manifestations of conflict and some papyri assert that there are theatre instructions as a voice that comes from far to say such or in the face of the participants by doing Something sometimes.

As for the north, especially in the cities of Bar Auxerre and Sayes, a ceremonial event was held in which men and women participated, as they carried torch lights and were searching for the remains of the minister at night, in a similar way to what the Westerners do in our present-day on Halloween, where he lives a vase of flame and wanders around the cities at night Just as the men and women of the city of Sais were doing on the night of the search for Auxerre.

Dr Samir Adeeb says in his encyclopedia on Egyptian civilization that he witnessed in the modern era himself a ceremonial ceremony held by the people of one of the villages embodiment of the resurrection and the resurrection of Auxerre, where he saw a group carrying out a celebration and rituals that ends when someone falls, claiming death to come to a woman and revolve around him and then wake him up undoubtedly represents Isis.

My grandmother, may God have mercy on her, told me how her grandfather had 600 servants. Their mission in separating the farm was to bury moulds of clay that took the human form in the farmer's farms and the seeds inside them until a specific time to be extracted and then sow them in the ground, but they did not give me any explanation for this, but there is no doubt that He linked it to the idea of ​​sending and resurrecting Auxerre.

EXCLUSIVE Hypnosis has its origins in Egyptian civilization.

It was represented in the idea of ​​a deep or sacred sleep that was brought about by the priests in the temples of hospitalization since the ancient state, and the aim of entering into this case was hospitalization and disclosure or enlightenment.

(Ansley Mears) says in his book: The nature, use, and misuse of hypnosis a few years ago I had completed a book on hypnosis and I thought it was a very modern idea and in fact many others thought that this was not that after I read an Egyptian papyrus translation in which there is something It expresses the same idea, so I realized that my view even of the idea was not as recent as I thought, so I added footnotes to the booklet showing that my colleagues from academics in ancient Egypt who lived in the second millennium BC had the same idea, and by returning to the nature of hypnosis for us the Greeks inherited The Egyptian idea and they served In their temples for healing, places in the Middle Ages, things changed, and this science became in the hands of magicians and charlatans, so the idea became as if it was the work of the devil until the coming of Franz Anton Mesmer in the eighteenth century and was an exceptional figure who used magnetic pieces in this process and practiced healing by suggestion and sleep, then After it came doctor James Pride who used the idea without using a magnet and was the first to redefine the process with sleep instead of Mesmerism, then Freud came and used it to explore the past of people to find out the causes of the disease, and this brings us back to the original where the Egyptians used sleep and suggestion by means Hymns and musicians for healing and foresight, where the community that believed in beyond the body, and that man has other aspects such as the brother of light and alba or the soul and the shadow and the revealer hidden power, as they probed the depths of dreams and wrote books for their interpretation which is a word expressed in the same word that means He woke up as they saw the dream as a state of spiritual awakening during sleep, so we find behind the word a looker eye, and they looked for death as a sleep-like condition, so put instructional and suggestive texts for the dead or the grave sleepers so we read, for example: O sleeper turn around in this place that you do not know but I know him ". "We still haven't discovered the secrets of this marvellous civilization, and understand the secrets of their mysterious sleep world," says Michael Billiard, a neuroscience professor.

The coronation crown of King Tutankhamun

The coronation crown of King Tutankhamun is made of gold, gemstones, and stained glass. The forehead of the king was topped by the cobras, Edgett, the garrison of the north, and the female eagle, the garrison of the south. Peace be upon you, golden berry

The Egyptian civilization is the original

the dwarves while making jewellery.

the dwarves while making jewellery.

A view of the dwarves while making jewellery. The ancient Egyptian used dwarves to make jewellery and jewellery for them from small fingers that are in line with the fine details of jewellery and jewellery from beads and small lobes. Old

Dancing dwarfs in ivory.

Dancing dwarfs in ivory. The figures move through the use of strings and a pulley.

Found at Lisht during excavations in 1934 by the Metropolitan Museum of Art,

New York, which has a fourth dwarf from the set.

Height - 7.8 cm. Egypt - Middle Kingdom - 12th Dynasty

This beautiful limestone naos .

A naos is a shrine in which a sculptural divine image would have been placed. This beautiful limestone naos now lacks its sculptural occupant but retains text that commemorates the dedicant's name, occupation, and genealogy. The hieroglyphs carved into the frame of the naos visually and spiritually linking the dedicated to the sculptural figure within the state that the naos belonged to Petenbimaou, son of Psamtek and Tagemiraset. The text tells us that Petenbimaou held the title of "Chief of the West", which was most likely a military post. The text also records his father's titles-Prophet of Osiris and Prophet of the Statues of the King Apries. This mention of King Apries has enabled scholars to date the naos to the later years of the Senate Period.

Such meticulous mention of the names and titles of Petenbimaou's father may seem strange at first. However, Egyptians believed that as long as an individuals name remained, so too their vitality in the afterlife. When a person spoke or read a name, the Egyptians believed it functioned as a sort of prayer to help sustain the dead. Therefore, Petenbimaou not only gave respect to his parents by including their names on his naos but also ensured their existence in the next life.