"Maat" was a cornerstone of all the myths of creation

In ancient Egypt, "Maat" was a cornerstone of all the myths of creation, because it is not just a metaphysical concept, but rather was experienced by all members of the Egyptian people, and from it derives the standard of conscience, ethics and righteous behaviour.

Ancient Egyptian texts indicate that nitro (divine entities) live with maat, in maat, and for maat, for it is the beginning and the end, it is the origin and is the end and the end.

The word "Maat" in the ancient Egyptian language carries connotations that constitute balance, consistency and harmony, the old Egyptian image in the form of a woman with two wings, and this is not strange from the philosophy of the ancient Egyptian, so the wings are the reason for the balance of any bird, and a bird cannot fly with one wing or fallen ( The bird needs two wings equal and harmonious, and therefore balance)

The glow (balance) is evident in our physical world in the pilot's wing, as well as in the two hands of the scale where the extent of its sincerity and harmony with the global system is measured by its balance in front of a feather (therefore the test of the purity of the human heart and its purity on the day of reckoning is done during the weight of the heart in front of the goat feather)

Equilibrium is the law of the universe and nature ... so everything that happens in nature is nothing but a constant endeavour to reach a state of equilibrium and complete harmony between everything that exists in the universe.

Therefore, the term confession carries with it all the meanings of honesty, integrity, integrity and sincerity and is the slogan of the judiciary in ancient Egypt, and in the late-era, the judges carried a small necklace of lapis lazuli in the shape of maat

Harmony and balance is the supreme universal law, and it is the voice of God, and whatever the size of chaos and disasters that can be from human actions or from natural disasters, except that nature as well as if left to its state without the intervention of a person that returns everything to Equilibrium and harmony again, and that is through consciousness that inhabits everything in it, so harmony is the eternal law that is outlined in everything in nature, and it is from which man draws reason and intelligence, although the law itself cannot be understood by reason!!

Maat is not a judgment nor a judge, but it is the "awareness" that a person carries in his heart and is the bridge that connects him with the universe and with God, and it is called morally the term "conscience", which gave the ancient Egyptians (kings and people alike) that sense The sophisticated moral who was able to reach the human and moral values ​​in the highest form, it is the end and the end in the journey of life and its movement...

The mysterious family kings Zero.

On this plate, which dates back to the beginning of Naqada III, stage B3120 BC, we see a mysterious name Understanding of one of the mysterious family kings Zero, the top of the plate is curved lines representing the royal shriek, and below it are carriers of two falcons and around them are engraved for a dog, we know that the dog is perhaps one of the elements The royal symbols that appear as a form of regression of control, the places of the symbol that expresses the name (the two falcon) have also been found in Palestine and on the pottery of the Delta and Abydos as well, read by (Gunter Dreier): King of the Falcon!

And other readers: Prophet: That is: the sedan

I see that both readings do not seem appropriate to the name of Malak, therefore. I see that the two falcons express not from Muthanna but from the ratio, just as we say my sister: the horizontal or the member of the horizon, and we write it sometimes by repeating the symbol of the horizon twice, without we mean by it the flexor of the horizon: the horizons, in this case, we can pronounce the two falcons: Houry: i.e. Belonging to Hur, not two horses or two masters, as Egyptologists see.

a united seal of Egypt .

This valuable seal belongs to the great king (Mintu Hattab II) (Neb Habt-Re) 2075-2025 BC, who alone for the second time after the collapse of the ancient state, and a century of war between civil and against the invaders coming from the east, west and south, was the Egyptian tradition That the priests carry statues of Mina, Montuhotep, and Ahmose, in the modern state, and they are the three great men in the history of Egypt, their pivotal ages.

The stamp is made of silver and alabaster and is now in the Louvre Museum.

This valuable seal belongs to the great king (Mintu Hattab II) (Neb Habt-Re) 2075-2025 BC, who alone for the second time after the collapse of the ancient state, and a century of war between civil and against the invaders coming from the east, west and south, was the Egyptian tradition That the priests carry statues of Mina, Montuhotep, and Ahmose, in the modern state, and they are the three great men in the history of Egypt, their pivotal ages.

The stamp is made of silver and alabaster and is now in the Louvre Museum.

The scarab of Tutankhamun

One of the bras of King Tutankhamun contains within its motifs and stones a glass scarab that has a yellow colour of a striking canary. It is the result of the arrival of a space comet that struck the Western Desert and scattered its first material, and the result of the terrible explosion that occurred since. 28 million years ago the sands of the desert melted with a temperature of up to two thousand degrees, to form a glass area covering thousands of kilometres. This comet that reached the west of Egypt was the same one that formed the Hypatia diamond cry that is now older than the sun that, since comets of this type are rare and have a footprint. The universe itself, and scientists have also concluded that this scarab was formed by the Egyptians from the same glass that resulted from the collision of the comet millions of years ago with the Western desert. The Egyptians chose the glass before others and coloured it in many colours, but the interesting thing is that they brought a piece of this glass that has arisen As a result of a cosmic crime, it created a glass that looked like nothing like AR The earth, to make it the chafer this originally symbolized the sun-flying wings in space.

EXCLUSIVE The oldest scientific research on kidney disease

Until very recently, barely a year later, it was believed that ancient Egypt’s physicians had no idea or scientific knowledge of the kidneys and their diseases and that this was a convincing explanation for leaving them behind the peritoneal dinner for their inability to extract them, during mummification.

But a global team of researchers is now studying and translating a huge group of papyri that have found another different and amazing story.

A group of more than a thousand papyrus had been obtained by the University of Copenhagen, Denmark, since the thirties of the twentieth century without translation or study until it appeared a large project for translation, by a team of researchers and doctoral students, and among the papyri found one containing the oldest scientific discussion in diseases Kidney, which excited them the most.

The leaders of the research team say that this restores the view of the science and its foundations, as some papyri offer discussions in astronomy, medicine, ophthalmology, gynaecology and childbirth, but the most astounding is finding the oldest research dealing with kidney disease

"This science was transferred from Egypt to the Greeks, Romans and Arabs, and we find it in Europe in the Renaissance, and this reveals to us the foundations of science in human civilization." Researchers are now working on translating papyrus, the researchers say.

Eternal civilization.

It is not necessary to measure any ancient or modern civilization, no matter how much it was promoted by the Egyptian civilization. This civilization and those who produced it did not do it alone. The truth is that it is a universal civilization, in which all the phenomena of the universe and its creatures participated, and it was the destiny of the ancient Egyptian since he was in his childhood A person is to be the keeper and the record of the universe and nature, while Panama has guaranteed its own immortality for its civilization, so it does not wear out or become extinct, because the universe and nature re-narrate it until the annihilation of the universe, and neither nature nor the phenomena of the universe are absent from annihilation or extinction, because the system’s guardians have recorded everything without An exception in every imaginable way.

If you look at the word "Murr", which is used to express it the symbol of the hoe and the water channel, you find that the apparent contradiction between the symbol and the meaning is very accurate harmony and harmony, for the word "Murr" means love, desire and fascination or the hoe, and it means a pyramid and means an irrigation channel And means chisel, so what is the relationship between all these meanings ???

The answer: When it means to love, it symbolizes the deepest forms and the most glowing, which is the intimate relationship. Is it not called the practice of the relationship with the West to join the practice of love ?! When it joins the man and the woman, the encounter here is the essence of feelings in this psychological, mental and physical autism, this is as knowledge opens to embracing the earth, it occurs in a meeting of intimate love, and as the pyramid makes the air and the sky rise up not Ali, or as the waters make their way through the channel, which is The means of water that desires to irrigate the earth. Likewise, the chisel does when the material that he carves is hardened, so (bitter) means desire as well and desire does not come to you but you go to it with your mind, heart and body and this is what they wanted to say in this regard, as an example of their conscious understanding of the harmony and complementarity of the phenomena of the universe and nature That taught them and kept their secrets in their language, belief and F. Svethm.

Vase in the form of two testicles, fertility symbol.

A while ago I had published about this pre-family utensil, and it has been defined and interpreted as a tradition of gifting a woman as an expression of fertility and symbolic of life.

Now, this interpretation is no longer acceptable, so it has changed. I saw it completely, and based on what the symbols and the symbolic relationships between them say, this model cannot be anything but two testes, and my testicle. Thor specifically, and the same goal: fertility.

Energy snake that never perishes.

His name is Nahbo Kao and it is a name that means (astringent kawat), some specialists like to call him (astringent), but it is he who receives the vital forces and reshapes them in the second life..the second life that is marked by eternity and infinite, and eternity does not know annihilation

Always depicted as a snake or a human with a snake's head and head, what does this mysterious symbol represent ?!

He was described in the texts of the pyramids as (communicating) a good biography or identity to the ninth, and helps the king to achieve life and continuity, as he has been described a lot as being irreversible, which is not affected by fire, water or magic, i.e. the power of the influential word, this means that it does not Yafti, just like the energy in the universe, and archaeologists have already described it as an embodiment of energy, but when we contemplate its origin as stated in the texts we realize that it truly embodies the eternal energy emitting creation and life transforming between entities, earth, sun and heavens, it has been said that he is the son of Stolen Those that breathe into the trachea, by looking Until the scorpion (stolen) when it bites quickly makes you cold suffer from a respiratory crisis, as if it absorbs energy and life from you itself, and the texts also mentioned that he is the son of (Jab) the symbol of the earth, and Rinnot, the symbol of ground feeding and giving, and a husband of (Nahmat Awi) Which means: garrison of the deprived, or a benefactor of goodness, then it is the face of my ears, then all symbols link this mysterious entity to energy donors, and its elements, land, plants or crops, and describe it as justice that does not know prejudice, then the texts mention that he got his strength (his energy ) This is because he swallowed seven snakes in the abyss early, this is no doubt. The coding of its starch from primary entities, just like energy, is therefore as it wanted to convey to us Egyptian thought and ways and means that suit its environment, age and time, only the energy that gives life to beings, the ones that do not destroy or create, so they called it the Great Snake, so if I looked at the superficial image of the snake because you did not understand them. Rather, they used the shape of the snake to convey the idea of ​​the permanence and transformation that the energy of the universe and life goes through, and as we see in the picture, (we love Cao) appears as he feeds the dead to help him resurrect, that is, to restore the life energy to him.

The comb made of ivory .

Six centuries had passed since this ancient Egyptian began planning to build the first pyramid.

The comb made of ivory is embellished with an exquisite animal world that includes elephants, snakes, giraffes, hyenas and cattle and possibly bears.

The era of Naqada III - 3200 BC.

The Metropolitan Museum of Art, built by others.

The most important tombs of the Valley of the Queens Nefertari.

https://elhellwa2020.blogspot.com

https://elhellwa2020.blogspot.com/

https://elhellwa2020.blogspot.com

Specialists disagreed over the views of this tomb.

Some believe that some of its scenes do not reach the level of perfection, especially in the back of the burial hall, while others believe that the Egyptian artist may have a degree of perfection in the colouring of these scenes and throughout the bold lines that have been implemented with precision, especially in the scenes that represent the idyllic queen of the cod. In conveying his sense of beauty to the viewer, especially the landscapes, there is a slight relief in light and coloured in bright colours on a subtle layer of plaster.

Cemetery description

The cemetery begins with a stairway with a ramp in the middle of which leads to the entrance to the first hall, which is characterized by the presence of stone shelves installed on the left and facing the interior. Possibly it was dedicated to placing statues or offerings and is decorated with Egyptian cornice. On the south wall of the cemetery, i.e. on the right of the interior, we see a view of Queen Nefertari as she worshipped the god Osiris and we see on the three facades of the prominent wall three scenes representing each of the god Anubis then the goddess Nate and finally the embodiment of the hieroglyphic sign "grandfather." Then we see a scene representing the god Horus, the son of Isis, as he leads the Queen to the god Hor my sister and the gods Hathor, then we see on the other half of the eastern wall a picture of the god Khabar, then we look at the northern wall of the room, the scenes of the famous view of the queen with the goddess Isis, then this scene follows a prominent wall you see on Its three fronts are an embodiment of the column "grandfather", then a scene representing the gods stolen and finally the god Osiris. On the left side of the interior to the cemetery, we see the famous scene that represents the queen sitting inside a booth playing a game similar to (dama) and in front of it the bird "Alba" in general, which symbolizes the soul at the ancient Egyptian has stopped here on a cabin decorated with the Egyptian cornice and then a scene showing the sign of the sister between two lions One of them symbolizes yesterday and the other symbolizes tomorrow, then the sight of the Banu bird, the sacred bird in Heliopolis, was painted by the blue artist Al-Hash and we see in front of him the mummy lying on top of a bed inside a cabin between each of the god's Isis in the form of a falcon on the right and the gods Nephthys in the form of a falcon on the left, as for the texts Recorded on the rest of this grandpa I see Al-Shamali, it is from the Book of Gates. On the right side of the entrance to the side room, we see the panels that are elite in the form of a bird of eagle, spreading their wings, as we see on the thicker entrance, the goddess Maat, the gods of truth, price, and order. We entered the room. We will see on the right, God Ra, in the form of a mummy with a black ram's head between the god's Isis and Nephthys, and then you see the queen Nefertari is worshipping to a bull and seven cows, as we see on the left is the queen presenting fabrics to the god Ptah the photographer inside his cabin and behind him the sacred pillar of "grandfather" and we see on the wall facing inside the viewers, each of which represents the queen Nefertari and they offer offerings and incense, once to the god Osiris on the left and once to the Hector on the right, places the northern wall, there is a view of the queen offering plate and inkwell of the god Thoth god of writing and science. We see above the entrance before descending on the ramp of the stairs leading to the burial chamber, a scene representing the four children of Horus, my head with a human head, my love with a monkey's head, my dawmut F with a falcon's head, and ugliness of Sanawaf with the head of a jackal and behind them a picture of a god in the face of a falcon and some gods. The walls of the descending ladder are decorated with beautiful scenes, the most important of which is the queen representing Nefertari, who presents two vases of wine or milk to the goddess Hathor, and behind them, the goddess sits stolen and from behind, we see the goddess Maat, the winged man with a kneeling human face, we see on the opposite wall the same view, but here the gods come to stand as we have on the walls Also a scene representing a large winged snake protecting the Queen's name. Below this view, we see a picture of the god Anubis in the shape of a jackal lying above his cabin and two pictures of Isis and Nephthys.

Finally, we reach the burial chamber with four columns in two rows, and its façades are decorated with the traditional scenes that represent the queen in its different relationship with the gods and goddesses. Among these columns, there is a large gap dedicated to the sarcophagus, which is revealed from among them by a small staircase. The burial chamber is characterized by three side chambers, which we see on the left and right, and facing the interior of the places of the scenery of the burial chamber.