H.D PHARONIC PHOTOGRAFIC.

The royal descendent of the cobra snake.

"The royal descendent of the cobra snake, which belongs to King Senusret II, the middle state, the twelfth dynasty, today is four thousand years old, and it is of pure gold and inlaid with precious stones and was fixed to the top of the king's crown."

"The famous archaeologist Flinders Petrie was found in 1889 in the offering room in the Pyramid of Lahaul in Fayoum."

It is now in the Egyptian Museum 

This magnificent statue is representing king Amenhotep III and god Sobek.

This magnificent statue is representing king Amenhotep III and god Sobek. It was found at the bottom of a water-filled shaft in 1967.Ramses II obliterated the name of Amenhotep III from the front of Sobek´s throne and added his own inscriptions to the base, the king´s belt, the right side of the throne and the rear and sides of the back slab.18th dynasty, from Dahamsha - Sobek Temple. Now is in the Luxor museum.

A shoe maker from the cemetery of the minister (Rakhmi Ra) during the reign of the king Thutmose III.

A limestone plaque depicting King Tuthmosis the Third with his son .

A limestone plaque depicting King Tuthmosis the Third with his son Amenhotep the Second, each wearing a blue crown and holding a wand "Hakka" and the sign of the Ankh symbolizing life, in front of the offerings made to them.

The direction of the painting has been engraved

Ntr nfr "Aa hprw ra", "mn hpr ra" di ANHK jad mi ra

The good idol "A Khbaru Ra", which is the name of King Amenhotep the Second and the second cartridge "From the news of Ra" The name of King Thutmose III, gives life forever as Ra

On the other hand, the same words.

Egypt: Amenemhet III, the 6th Ruler of Egypt's 12th Dynasty.

Amenemhet III, also called Amenemmes III, king of ancient Egypt (reigned 1818–1770 BCE) of the 12th dynasty, who brought Middle Kingdom Egypt (c. 1938–1630 BCE) to a peak of economic prosperity by completing a system to regulate the inflow of water into Lake Moeris, in the Al-Fayyūm depression southwest of Cairo. The resulting stabilization of the water level also drained some of the marshes that had surrounded the old lake. As part of this great work, the labyrinth described by the Greek historian Herodotus was probably built nearby, south of one of Amenemhet’s pyramids at Hawara, in Al-Fayyūm. It was probably a multifunctional building—palace, temple, town, and administrative centre. To celebrate the reclamation of 153,600 acres (62,200 hectares) of land for agricultural use, Amenemhet erected two colossi of himself nearby, also described by Herodotus. A second pyramid, located at Dahshūr, was built for his interment.

Amenemhet also worked the turquoise mines at Sinai with unprecedented intensity. Permanent quarters were erected for the miners, with wells nearby and fortifications to repel Bedouin raiders. A temple to the goddess Hathor was also built. Quarries throughout Egypt and Nubia, to the south, likewise were the site of much activity to support the king’s building enterprises. Except for minor punitive raids, his reign was peaceful.

In Nubia, Amenemhet retained the empire won by his predecessors. Artefacts of his reign have been found from as far south as the Third Cataract of the Nile to as far northeast as Byblos, an important seaport in Lebanon, an indication of Egypt’s primacy as a commercial power. His was the last long and successful reign of the 12th dynasty (1938–c. 1756 BCE)

scarab of Sobekemsaf II set in gold mount bearing incised Hieroglyphic text.

Green jasper human-headed heart-scarab of Sobekemsaf II set in gold mount bearing incised Hieroglyphic text.

the human-headed jasper scarab is inset into a cloison in a hollow sheet gold plinth with a rounded back end. The rim of the cloison itself has been inset with an undulating strip of sheet gold to give the effect of granulation. The insect's legs, splayed out on the plinth's top, are made from individual sheet gold strips with roughly incised markings representing hairs. The crudely formed hieroglyphs incised around the plinth, and in five horizontal rows across the underside, come from Chapter 30B of the 'Book of the Dead': "Spell for preventing the heart from opposing the deceased". In the inscription the legs of the birds are missing, a common feature in earlier magical texts to prevent them attacking the dead person.

Green jasper human-headed heart-scarab of Sobekemsaf II set in gold mount bearing incised Hieroglyphic text.

the human-headed jasper scarab is inset into a cloison in a hollow sheet gold plinth with a rounded back end. The rim of the cloison itself has been inset with an undulating strip of sheet gold to give the effect of granulation. The insect's legs, splayed out on the plinth's top, are made from individual sheet gold strips with roughly incised markings representing hairs. The crudely formed hieroglyphs incised around the plinth, and in five horizontal rows across the underside, come from Chapter 30B of the 'Book of the Dead': "Spell for preventing the heart from opposing the deceased". In the inscription the legs of the birds are missing, a common feature in earlier magical texts to prevent them attacking the dead perso

British Museum.

Mantra for the imaginary love between a man and a woman.

These words are said over one of the fish of the Black Nile, nine lengths of inches(after you put them in the perfumed oil with roses, and you must drown them in this oil, then take them out and hang them from their head. Add some water from the camel radish plant (Sdisimbar a day) to a talisman « Isis plant and grind, and you should recite it seven times in seven days in front of the rising sun, and then apply your face with some of this mixture at the time when a woman sleeps with it, and you should embalm that fish with some essential oil and natron, then bury it in your house or in a place Backdoor

The lotus flower that appears so often in Egyptian art and symbolizes life,

Sesen is the lotus flower that appears so often in Egyptian art and symbolizes life, creation, rebirth and, especially, the sun. The symbol dates from the beginning of the dynastic period, but it became more popular from the Old Kingdom. The lotus flower closes at night and sinks in the water; then, at dawn, it opens again; this pattern identified him with the sun and, therefore, with life.

The flower also represented rebirth for the same reason and was associated with the god Osiris. The Four Sons of Horus, regularly depicted in canopic bottles, are often depicted together in a lotus in the presence of Osiris. The lotus flower appears in many different types of Egyptian art, from stoneware statues to sarcophagi, temples, shrines and amulets. It was the symbol of Upper Egypt, since the papyrus plant symbolized Lower Egypt and the flower is sometimes depicted with its stem intertwined with that of the papyrus plant

The magic of symbolism.

The Egyptians engraved the Tree of Life on two sets of three pillars at the Karnak Temple in Luxor, more than 5,000 years ago.

The Tree of Life represented knowledge, purpose and destiny.