happy ending.

How did the Pharaohs express their love for hieroglyphs?

For thousands of years, the ancient Egyptian was adept at picking words to express emotional feelings, and from here he used the word "mr ik", which means hieroglyph "I love you", until his songs in many cases expressed a love story and a happy ending.

Kings fall in love

One of the greatest love stories of the pharaohs "Isis and Osiris", which won international fame, as she loved her husband first and collected his body parts after his death and cried over him and her tears were the Nile River.And those stories extended to King Akhenaten and his wife, Nefertiti, and history shows how the queen stood next to her husband, despite the change of religion and the capital, according to what was stated by Ali Abu Desheesh, an Egyptian archaeologist.


Coming to the throne of King Tutankhamun's throne is a manifestation of love, as Queen Ankh Amen exudes her husband with essential oils, which indicates the extent of the relationship of love between them.

Queen Nefertari, wife of the great king Ramses II, had an important role in the most beautiful meanings of love, as Ramses II wrote to her on the front of her temple in Abu Simbel, “His Majesty King Ramses II ordered the establishment of this temple from a beautiful stone, good for his wife, Nefertari, which the sun shines for.

Door to Leica.

ONLY DOOR MADE FROM WOOD.

An illusion door to Leica 

This illusive door belongs to a person named Ica who used to work as a purified royal priest and head of the large house known to the king. And on his wife, Ei-Marit, a priestess of Hathor.

This unique phantom door consists of fourteen pieces of wood collected and tied together with wood studs and leather belts.

The upper panel depicts a scene of Ica sitting with his wife at a table of offerings stacked with field symbols, i.e. food and goodness, and many symbols of offerings are placed beneath them. And on the top of the door are like Aika on the left, and Aye Merritt - on the right, as she smells a lotus flower, accompanied by their sons.

IIn the beginning, Egypt was .

In the beginning, Egypt was .. before the time was born and before the date,

Here it all began ... everything: agriculture, architecture, engineering, writing and paper, government and law and order, and here before anything the conscience was born.

Eyes of Horus.

Even the sarcophagus made it with the eyes of his restaurant simulating the reality so that the deceased can see from a perspective of the living world

Group of sailors are sitting in the boat.

Countries of a group of sailors are sitting in the boat, and everyone is equipped with a paddle and ready, but there is no movement and they are all desperate. The head of their belongings, who is standing on the first boat, says night, his men! It is the ancient Egyptian system.

Great Egyptians.

The greatest civilization in history

Walker and shayl Barada and lotus and a water purification stand on his shoulder and a ladop supported by hands. You know she walks like this .

From the tomb of (Brother Hatep), the Fifth Dynasty, the ancient state and the sculptures bone.

A wonderful piece of pure gold.

A wonderful piece of pure gold

She tells a rare history

The period of the eighteenth to the twentieth dynasties of the so-called idol "shed" and the ancient Egyptians used it as an amulet to ward off predators (the protector from the evils) was depicted as a young man dressed and standing with his feet on two opposing crocodiles

The ancient Egyptians were the first to organize the Olympic Games ,,,

The ancient Egyptians were the first to organize the Olympic Games 

Since 2000 BC, Egypt organized international sports competitions periodically, and King Ramses I was one of these games, and in the tombs of Bani Hassan in Minya and the tomb of Amenhotep, the ruler of the sixth region in Upper Egypt, there is a set of drawings depicting Egyptian athletes playing free wrestling games Fencing, archery, gymnastics, boxing, running, rowing, tug of war, hockey, and there are indications of that, which are engravings, drawings, and papyri that existed since 4000 BC, and many of the images related to wrestling, the style of it and the techniques in it ..,

Who broke the Sphinx's nose?

Who broke the Sphinx's nose?

It is one of the oldest huge sculptures in the world with a length of about 73.5 meters, including 15 meters the length of its front legs, and its width 19.3 meters, and the highest height above the surface of the earth about 20 meters to the top of the head, a lot puzzled about the reality of the character that was symbolizing it, as well as raised Many questions and narratives about the reason for breaking his nose to become the way the statue is currently located.

4 novels about the fact that the nose of the mysterious statue was broken

1- Napoleon artillery:

The nose of the Sphinx was destroyed by artillery by the soldiers of the French campaign against Egypt in 1798, led by Napoleon Bonaparte, to break the nose of the Egyptians, but the drawings made by the Danish explorer Friedrich Louis Norden to the Sphinx in 1737, and published in 1755, 61 years before the date of Napoleon's campaign against Egypt, And 32 years before Bonaparte himself was born, in his book "The Journey to Egypt and Nubia," which is funded in its current form without a nose, according to the British newspaper "The Guardian".

2- A strict Sufi who wanted to break the sanctity of the statue:

However, the account of the Egyptian historian Taqi al-Din al-Maqrizi claimed that the one who ruined the statue was a simple, fanatic, mystical named Muhammad, the fasting person, who lived next to this "idol" which people were looking at as a reverence at that time, so he tried to tear down the statue with a sharp instrument to prove to them that it was sacred. However, the locals punished him by beating him to death in 1378.

3- World Wars

In a contrasting account of the foregoing, the British were said to have accused Napoleon's campaign of breaking the Sphinx's nose and sabotaging it; plotting in the French, the British and German armies that entered Egypt during World War I and II were also charged, but experts denied these special rumors to pictures of the statue without Nose since 1886, and before that.
4- Erosion factors:

There are those who say that erosion was the cause of the fall of the Sphinx's nose, and others went that the children of the Pharaohs kings were testing it in archery, but many agreed that the main reason was that the nose was the weakest point in the Sphinx.

Ancient Egyptian Crystal Rock Ring.

An ancient Egyptian ring made of crystal carved in the shape of a sphinx

. Back to the nineteenth family period, (1295-1069) BC

Ancient Egyptian Crystal Rock Ring.

The hours of the stars, and even the mechanical watch.

Marvel under the sky of Egypt

It is not just a container that controls the flow of water to measure the time, the water hour chosen by the Egyptians in the city of Thebes, which. And that lady, who measured time no more than three thousand years, was hiding a secret, a scientific theory, and the genius of the innovator.The astronomers of ancient Egypt did not stop at the invention of one type of watch, but they invented several types: the water clock, the sundial, the hours of the stars, and even the mechanical watch.The water clock was of two types ... an hour in which the liquid flows out and is the oldest. The earliest reference to it is from the cemetery of the astronomer and the watchmaker, Amenemhat Al-Tibi, who lived in the era of King Amenhotep I 1530 B.C. And not its drop in the potOther types, whether the outflow clock, which must be called the Thoth watch, which is contained in his book called (Winshab), for which there is a model in the amitropolitan, will be left. Let us focus on the old water clock, which was hidden in its design a physics law that was not reached in Europe only in the seventh century Ten by physicist Torschelli.This seemingly simple-looking watch was the first embodiment of this rule that adjusts and describes the flow of the buckets from a 

hole in a bowl.

When the Egyptians invented this hour to analyze the problem of comfortable days of cloudiness, where the sky dances and clouds embrace them and messes around in the air, the rain mist, it measured time through water from a hole below the wall of the vessel, however, choosing any shape of the vessel would have entered the measurement of time in chaos so that The measurement is disturbed after the height of the liquid falls in the container, avoiding the difference in pressure, the flow velocity changes and thus the amount of flowing liquid, which is fast at the beginning, and slow when the height of the liquid decreases, but the Egyptian inventor after the experiment and test reached what is known today as the Torricelli Law, which says The relationship between the velocity of the flow The acceleration wheel and the height of the liquid in the container are a direct relationship, that is, by using a specific geometrical shape (which is the shape of the hour-cone), the flow velocity and the amount of fluid coming out of the container is equal to the pressure decreasing constantly, the fluid decreasing, which achieves in practice the principles of the law formulated by Torcelelli after If the Egyptians achieved it in the engineering of the watch by three thousand years, this is the secret of the survival of its technology that was adopted by Greece, the Romans and the Arabs and even replaced by a mechanical watch in the Middle Ages.

The Nubian Museum.

The king's head is pure

The Nubian Museum.

He took command of the army when he was twenty years old.

It is said that he did not see a nation throughout his life, but asked to be present during the coronation of a king.

He was a great and special warrior in many battles against the Assyrians.

- He built many projects including rebuilding temples.

- The first years of wisdom saw prosperity and prosperity

But his last years were disasters,

In the year 671 BC, the Assyrians began to launch their successive attacks against Egypt repeatedly every year.

At first, Taharqa forces confronted them, but over time

The opponent's strength multiplied until they finally managed them.

The Assyrians occupied Memphis

They captured Taharqa's wife and daughter.

Tuhra died in 664 BC in Napata,

Between the height of the pyramid 15 feet

It is one of the largest pyramids constructed in Kush.

Prince Hormakht Statue.

Prince Hormakht Statue (701-690 BC)

The son of the king, Shabaka and the priest of Amun, in Thebes during the reign of his father and successor.

Nubia Museum, Aswan, Egypt.

NUBIA.

A PRINCESS OF NUBIA.

In 760 B.C. the 'Black Pharaohs' decided that Egypt needed saving - from itself.

It was time for an intervention.

For thousands of years the Egyptian empire seemed indomitable. Its pyramids, Great Sphinx and dazzling temples were the stuff of legend for the surrounding kingdoms.

In the early 18th Dynasty, ca. 1500 B.C., Egyptians troops marched on the Nubian kingdom beyond their southern border and claimed the territory for Egypt. For the next 500 years the area's gold reserves and rich trade routes swelled the Egyptian treasury.

Then, around 800 B.C., something that once would have been considered impossible, happened. The Nubian kings from the south rose up and conquered Egypt, enthroned themselves as true Egyptian pharaohs and ruled for nearly 100 years.

These were the so-called 'Black Pharaohs' of what is today Sudan.

The Nubian kings considered themselves the true heirs to the spiritual traditions of the great pharaohs like Ramesses II and Thutmose III.

They were born in the shadow of a mountain considered sacred to the Nubians and Egyptians alike - Gebel Barkal - believed to be the southern home to Amun.

Egypt had become preoccupied with internal rivalries and, from the point of view of the Nubian rulers, had lost its way. An intervention was needed.

Armed with a divine mandate from Amun, combined with a powerful sense of entitlement, the Nubians marched on and captured Thebes, the spiritual capital of Egypt.

There, King Piye became the first of a succession of five 'black pharaohs' who founded Egypt's 25th Dynasty and ruled the country for the better part of a century.

Although the Nubian rulers carried the titles and trappings of the native Egyptian royalty, they were clearly proud of their southern identity, and images of the 25th Dynasty royals are distinctly Nubian.

This bronze statuette of a Nubian woman, most likely a royal princess, is a great example. It is now housed in the Los Angeles County Museum of Art, .

The 'Black Pharaohs' were eventually driven back south by powerful Assyrian forces, but maintained the Egyptian way of life. Although they were exiled from their beloved 'homeland', the Nubian kings continued to worship Amun and built the first royal pyramids anyone had seen in nearly 1000 years.

The Nubian Museum in Aswan

Bronze oil lamp

It was found in the necropolis of Ballana.

The lamp is in the shape of a young, round face with a hole in his forehead to put oil,

In his neck, a nozzle comes out of the fuse.

He has wide eyes, straight nose, clear ears,

The small mouth has a slight smile and has curly hair.

The facial features are Mediterranean art models, with eyes set with silver and garnet.

Two other similar lamps were found in Cemetery 3 of Qastal,

The Nubian Museum in Aswan

Thutmose III b (father of empires).

Thutmose III b (father of empires)

Thutmose III b (father of empires) as well as (the first emperor in history)

As one of the most brilliant genius in the history of the military throughout the ages,

His military plans are taught in many colleges and military institutes

all over the world.

He was the first to divide the army into two wings.

The British Empire used many of its plans in its battles,

Especially what Lord Allenby did in his battles in World War I

This reminds us of the saying of the foreign historian

(We defeated them, not when they conquered them, but when we forgot their history and civilization)

We must re-read history, understand it, and work not only for materialism

But to raise and elevate the spirit and the soul and then the highness of society as was the case

In ancient Egypt.

This wise policy of Tuthmosis the Third had its effect on

The cohesion of the Egyptian Empire for a century

And spreading Egyptian culture to other peoples

The phenomenon of sun perpendicularity to the face of Ramses .

Ramesses the second statue equals the god

The phenomenon of sun perpendicularity to the face of Ramses and its interpretation

The sun enters the front of the temple to travel 200 meters to reach the most holy place

- to light three statues of the four that are inside it,

And they are the statue of Ra Hor, the sister of the sun god,

And Ramesses the second statue equals the god,

And the statue of Amun was a kind god in that era,

As for the fourth statue of the god Ptah, a single lord and patron of art and artists and the god of the underworld, the sun does not reach it.

Because it must remain in total darkness, as it is in the underworld

Then the sun's rays crossed another 60 meters to perpendicle to the statue of King Ramses II and the statue of Amon Ra, the god of Thebes, making a frame around the two statues of 355 cm long and 185 cm wide.

The phenomenon is based on a scientific fact discovered by the ancient Egyptians, namely

That the sunrise from the point just east and sunset from the point just west

On the twenty-first day of March

The sunrise point then changes by about a quarter of a degree every day to the north

Where it reaches at sunrise to a point 23 degrees 27 minutes northeast

On June 22nd, Ramses 2

The sun is once again rising from the eastern point

At the same rate as it moved north to reach the point of East exactly on the twenty-first of September,

Then the sunrise point changes about a quarter of a degree to the south, to become 23 degrees and 27 minutes southeast of the twenty-second of December of each year.

Then, on the 21st of March, it returns at the same rate.

The ancient Egyptians based their discovery on the sun passing through each point during sunrise and sunset

Twice a year, and the time distance between them varies depending on the distance of each point from the point east exactly.

And that the sun perpendicular to Ramesses II’s face twice a year,

My second day, in the year of October, and the second, quickly, in February.

It came as a result of the ancient Egyptians choosing a point in the path of sunrise that is four months away from its two track points, to coincide with October 22 and February 22 of each year.

Then they built the temple so that the direction of the path from which it entered on the face of Ramses II from the east is from a narrow opening.

And that the ancient Egyptians made this hole narrow so that if it entered the sunlight in a day

The statue fell on the next day, deviating a small deviation of a quarter of a degree

Thus, the rays fall the next day on the wall of the hole and do not fall on the face of the statue

temple Come  ombo. Aswan. 

The twin dedication to the temple is reflected in his plan: perfectly symmetrical along the main axis of the temple, there are double entrances, two halls interconnected with sculptures of the two gods on both sides, and the twin sanctuary. It is assumed that there were also two priests. The left (western) side of the temple was dedicated to God Harris, and the right (eastern) half to Sobek.

The returned blocks use a former temple from the United Kingdom period, but the main temple was built by Ptolemy VI Philometor, and most of its decoration was completed by the father of Cleopatra VII, Ptolemy XII Neus Dionysus. The amazing river setting of the temple led to some of its partially eroded Roman and external sections, but much of the complex survived and is very similar in designing Ptolemaic temples in Edfu and Dendara, albeit smaller ones.

Temple tour

Passing to the front of the temple, where the columns are divided between the two deities, there is a double altar in the center of the court for both deities. Beyond the inner and outer common halls, each of 10 columns. Inside the exterior style hall, to the left is a delicately executed relief showing Ptolemy XII Neos Dionysus presenting to Harouris by ISIS and the goddess Raettawy, with a search for it. The walls to the right show the coronation of Ptolemy XII by Nekhbet (the goddess of the eagle - the eagle in the Upper Egyptian town of Cape) and Wadget (the serpent goddess based in Buto in Lower Egypt) with the upper and lower crown of Egypt, symbolizing the unification of Egypt.

Columns appear in the inner hall showing Harrison presenting Ptolemy VIII the euergetes with a curved weapon, representing the sword of victory. Ptolemy succeeded his sister, wife, and ruler Cleopatra II.

From here, three Antecampers, each with double entrances, lead to the sanctuary of Subic and Harrison. The rooms now destroyed on either side would have been used to store the priest and the liturgy papyrus. The walls of the sanctuary are now raised by one or two, allowing you to see the secret passage that enabled the priests to give the gods a "voice" to respond to the pilgrims' petition.

The outer corridor, which revolves around the temple walls, is unusual. Here, on the left (north) side of the back wall of the temple, a perplexing scene, which is often described as a set of "surgical instruments" seems more likely that these were some gatherings during the daily rituals of the temple, although the temple was definitely a place of healing, closer Something to an old hospital.

Near the Ptolemaic Gate in the southeastern corner of the complex is a small shrine to Hathor, while a small mamisi (birth house) stands in the southwestern corner. Beyond this to the north you will find the deep well which supplies the temple with water, and near it is a small pond in which crocodiles, the sacred Subic, were raised.

The exit road from the complex leads to the new Crocodile Museum. It is well worth a visit for its beautiful collection of mummified crocodiles and ancient sculptures, and it is well lit and well explained. The museum is also dark and air-conditioned, which can be a blessing on a hot day.

A collective statue of a senior employee, his family.

A collective statue of a senior employee, his family, his wife, and his son, the Old Kingdom, around 2371-2298 BC

Family group statue

Statues of the family from the ancient kingdom often portray the adult male as the largest figure, indicating his location as the head of the family. Here, a much smaller number of women prostrate to prostration and embracing her husband's leg in a traditional Egyptian gesture of love and support. The son of the couple is depicted naked with his hair at my side and a finger to his mouth - a standard way of indicating that he is a young child.

Catalog description

A limestone statue of a man, his wife, and his child (his son). The man appears stepping with his left foot forward and hands clinging to his side to hold "symbolic staves". He wears a short wig at the bottom below, towards the back. His intention is half folded. Kneeling next to him and clamping his left leg is a small representation of his wife. His naked son, right next to his childhood side, is holding a finger in his mouth. Condition: Almost lower back and sides of the base. The owner's number was beaten and pitted at the sides, shoulders and arms. The nose is missing.

Statue of Metjetji

Statue of Metjetji.Old Kingdom, late Dynasty V, early Dynasty VI.
Circa 2371-2288 B.C.
Wood, gessoed and painted.
Alabaster, obsidian and copper.inlays
Brooklyn Museum, New York.

Shawabti of the Lady.

Shawabti of the Lady of the House Sati... Brooklyn Museum, New York.

Queen Nefertiti.

Relief of Queen Nefertiti Kissing One of Her Daughterss, Brooklyn Museum, USA.

A hairdressing scene from the tomb of Queen Nefro .

Hair Styling Relief Inu

The combs Anu family 11 the tomb of Queen Nevro

Middle Kingdom, dynasty 11, (circa 2008-1957 BC)

Excavation: Queen Nefro's Tomb, Thebes (Deir el-Bahri), Egypt

Limestone, plated, 5 3/16 x 9 5/8 in. (13.2 x 24.5 cm)

54.49; 51.231; Charles Edwin Wilbur Fund

A hairdressing scene from the tomb of Queen Nefro in the funerary complex of Nebthebari Montuhotep the Second in Deir el-Bahri, rebuilt with shrapnel in New York and Brooklyn.

Gypsum mask .

Gypsum mask coated with the life size of a man,

From a coffin or a massacre

This item is on display in Egypt and born again ..

Art forever,

Egyptian Orientation Exhibition,

The third floor is the Brooklyn Museum

god Ra.

god Ra.

To the treasurer (finance minister) called City,

It is a rare statue of a non-royal person depicted in this way

The modern state of the family 19

About 1250 B.C.

Colored limestone

Brooklyn Museum

 There is an older statue of the priesthotep DF, but the hands are not raised

He is said to be in a position of worship as well

It is the oldest statue of a public figure in Egypt and on the right shoulder the names of three kings

He was found in Memphis and is in the Egyptian Museum next to his Narmer painting

Naked Girl.

Brooklyn Museum Naked Girl. Her heavy wig alludes to the Egyptian practice of wearing an elaborate coiffure during sex. The gesture of placing the left hand beneath the breast also had a strong sexual connotation.

a dancer.

I adore this work ..

She looks like a dancer

Or perform a ritual movement related to an ancient doctrine of Egypt at the dawn of its first history ... a burnt clay statue of more than five thousand years old

They found him in the desert of a village near my village in southern Egypt in Qena.

He is one of the critics of civilization before the families

Before Egypt became a unified state at the hands of genius men

They were the first to understand the concept of one country

Perhaps Narmer

Perhaps it was the Scorpio King

Perhaps it was Mina.

Whatever their names and titles ...

But they are credited with laying the groundwork for the first concept of a country in human history ...

This unique statue is very simple, easy and smooth to express

Despite his five thousand years, he still retains the first stream of expression for someone there. He grabbed his piece of clay and his soul gave him this amazing, amazing formation ..

men bring cattle to the tomb owner.

Brooklyn Museum - Relief of Men Presenting Oxen, ca. 2500–2350 B.C.E. Limestone. In this relief, three men bring cattle to the tomb owner, from the towns of the estate.

goddess bastet.

Bronze statue of goddess Bastet actress...

In the form of holy cats and protect their cats; motherhood at its best

From Memphis Cemetery

Now at the Brooklyn Museum

King Osorkon I.

King Osorkon I - Twenty-second dynasty 924-889 BC.

Brooklyn Museum.

Metal workers in the third medium period often used gold tubes to decorate their sculptures.

They first carved a canal filled with golden thread.

Then they hit the round edge of gold until it was flush with bronze.

On this statue, the names osorkon i, portraits of horakhty goddess and thoth, and the belt, and zoz from shendyt-kilt-kilt were all produced in gold.

 Gold inlay in engraving on the bronze ..!

Three Ochibetes in wood.

From Brooklyn Museum in New York .. Three Ochibetes in wood. Dynasty 18. During the rule of Enton at 1352-1330 hrs. 1336-1324 BC Deir Medina.

Senenmut .

A kneeling statue of Senenmut holding a rebus of Hatshepsut's name, now residing in the Brooklyn Museum.

call us.

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Baby Pepe with Horus Falcon

Baby Pepe with Horus FalconBrooklyn Museum

A small statue of the Egyptian Alabaster of King Beibbi I

In the protection of Falcon Horus

Old country family 6   About 2300 BC

 This statue is one of the most beautiful examples of sculpture in the ancient state, and belongs to the sixth family, about 2300 BC,

It is now housed in the Brooklyn Museum now built,

It is carved from alabaster,

Its height does not exceed 26 centimeters.

The statue represents King "Baby the First", the third king of the 

Sixth Dynasty

Sitting on a bench with a high backrest,
He wears the thirtieth holiday garment (a love of a dam) that reaches his knees,
He wears a white upper crown on his head,
And the king here takes the Osirian position, arresting the right-hand in the mazhabah (Nakhaka), and arresting the left-hand with the scepter of authority (Hakkat).
Saqr Alif is behind the seat of the king.
And the statue embodies the Osirian Trinity,
The king here, in his Osirian position, represents the idol "Uzir".
And the seat represents the goddess "AST".
The seat was the most important symbol in the ancient Egyptian religion
As well as being a connotation of its name,

As for the falcon, it represents the idol "Hur", whose falcon was the most famous symbol ever

unknown king Stand in front of a "mongoose.

Bronze statue of an unknown king

Stand in front of a "mongoose".

Currently on display at the Brooklyn Museum "New York".

 The Keluston historian statue from the family from 26 to family 30

The identity of the owner is unknown,

Obvious inaccuracy in completing artwork.

The mongoose was associated with a number of deities

Horus and the Creator God Atom

The reason for his sanctification is his ability to kill snakes.

Romantic ... the ancient Egyptians.

Romantic ... the ancient Egyptians

I will fall ill in my home, and there is no cause for illness.

Doctors, friends and people walk in to see me.

But unless you come to Jamila, I do not need anyone ...

She knows my drug and she alone has my medicine!

Wonder Egypt Pharaonic rule.

Wonder Egypt Pharaonic rule:

The strongest mind guard for women,

As for her heart

It is the guard who often falls asleep

It cannot be relied upon

(Notice the hands of the pharaoh and his wife, together

As if they represent the heart)

The Curse of the Pharaohs!

The young king, "Tutankhamun", and with the first displacement of its stone door, a strong sandstorm erupted, despite the fact that the timing of the discovery was in the summer.

The myth of the Pharaohs, the myth that terrified scholars and prospectors, was an obstacle in many times to new archaeological discoveries. Is it a fact or a fantasy ?!

The death of 40 researchers.

The curse really began when the Englishman Howard Carter and Lord Carnarvon discovered the tomb of King Tutankhamen, and they first practiced the sparrow that placed Carter on the hotel balcony and suddenly and without warning Carter heard a sound inside the cage.

Then began a series of strange events that have no explanation yet, and in the official opening of the cemetery Lord Carnafone was struck by a strange disease, intense heat and seizures such as epilepsy, doctors were unable to explain the condition, and he died in the middle of the night.

The strangest thing is that the electricity was cut off from all of Cairo at the moment of Carnafone's death. And then some mentioned that the death may have been due to a mosquito bite at the opening of the cemetery - and others said that it was the result of poisoning or because of injury to a sharp object inside the cemetery, but all are diligent, so that the cause of death remains obscure.

Death began after that took the lives of everyone who participated or contributed to the opening, where the secretary of Carnavon died without a clear reason and then his father committed suicide after his death. He helped Carnavon in the opening of the cemetery, where he was very tired and died.

George Jay, the American millionaire friend Karnafon, was also blinded and died immediately after seeing the cemetery. Then Evelyn White, the Egyptian archaeologist at a university, mysteriously followed and everyone was surprised after his death by leaving a message saying, “The curse of the Pharaohs has come.” The Louvre Museum in the sun stroke as it leaves the tomb of the king.

The Pharaohs were the first to make a light bulb.

Hieroglyphic inscriptions reveal the Pharaohs' knowledge of the Dandara temple.

This painting is found in a crypt under the temple (Dandara), and it represents the story of Moses with the magicians of Pharaoh, and if you find them in full you will find the picture of Pharaoh and his wife, Moses and Aaron, and this thing that appears like a light bulb, you find it enters the lotus flower in a branch or stick, and this A 

symbol of Moses’s stick, and this lamp-like aura is a symbol of magic, and the snake inside the aura is a symbol of ropes that turned into snakes by magic, and the lotus flower is about to devour these snakes. Symbolize Pharaoh’s words of magicians (Let me cut off your hands and your feet from a row, and crucify you In the trunks of palm trees), verse 71 of Surah Taha, show the full painting woman occupies in her hand tied to a rope in the middle of a man, 

it is the pharaoh's wife, her husband and the man, in terms of the rope tied in the middle, it is a symbol of the marriage contract. Some archaeologists have misinterpreted this painting and said that it indicates the Pharaohs' discovery of the light bulb, but most archaeologists think of them, and they have read from the texts accompanying the painting that it was mentioned in it a feast celebration, and this is the day of the decoration mentioned in the Qur’an People sacrificed) Verse 59 of Surat Taha.

How did the pharaonic stones transformed into mosques?

How did the pharaonic stones transformed into mosques?

Historic Cairo is full of pharaonic stones mosques

There is no more distinctive example of this policy than the threshold of Khanqah Khan Baybars Jashnakir with the aesthetic, which is part of the Pharaonic Temple, and in the same area there is the threshold of the Prince Qusun Agency, which is part of the Pharaonic Temple, which the Nasser Muhammad Mosque in the castle has Roman and Pharaonic columns, so that the matter The same extends to the Al-Azhar mosque itself.

Akhenaten is an old victim.

That the effects of «Akhenaten» are facing destruction, after they considered it a “heretic”, before it was reused in the filling of the “Horemheb” edifice at Karnak, and Ramses II did not find a problem in taking many of these elements and statues and attributed them to himself, and the most famous model of victory painting, written On one side are texts by Amenhotep the Third, and on the other hand, writing was made during the reign of Mreneptah.

There are many elements that were taken from the Ramses II temple of Ramses II for use in the Medinat Habu Temple of Ramses III, and this custom continued in the Greco-Roman era, where they took many elements from obelisks and columns to decorate Rome and Alexandria

Dismantling whole pyramids

When Christianity entered Egypt, many of the ancient Egyptian temples and tombs turned into churches, as well as took many architectural elements from the Pharaonic and Roman temples, and were used in churches like columns and others, and this habit continued in the Islamic era as well.

And this continued until Muhammad Ali dismantled many small pyramids for use in buildings until he decided to dismantle the Great Pyramid itself to build charitable arches but retract the high cost of transportation, and there is the oasis warden who is a complete temple to build his house and there are house facades erected from pharaonic stones, and the striking model factories Sugar in Kom Ombo and Esna are stones taken from Pharaonic temples.